The Screwtape Letters

ABOUT THE SHOW

In this stage adaptation of The Screwtape Letters by C.S Lewisdemons are trained and educated in an academic setting, by the legendary devilish Professor Screwtape to hone their skills in the doctrines of being discouraging, diabolical and deviant with their human patients, all in an effort to undermine “The Enemy”. This humorous and intelligently witty perspective and satirically entertaining spin on reality delves seriously into moral and theological questions about good and evil, temptation, faith, and prayer.

SHOW TIMES

The Screwtape Letters was part of the 2014 Season “Discussion Series”. All performances took place July 24 – August 9, 2014 in repertoire with The Great Divorce at the Irving Greenberg Theatre Centre, located at 1233 Wellington Street West, Ottawa, Ontario.

THE ARTISTIC TEAM

CAROLINE BALDWIN (Set & Properties Coordinator) JONATHAN HARRIS (Artistic Director) | CATRIONA LEGER (Artistic Consultant) | AMANDA LOGAN (Costume Designer) | SUSAN MARRINER (Graphic Designer) | ANDREW PALANGIO (Sound Designer) | MARGARET SMITH (Music Designer) | JOHN SOLMAN (Lighting Designer) | MISHELLE STOTT (Hair & Make-up Designer)

THE PRODUCTION TEAM

FLO ALEXANDER (Production Assistant) | CHRYSTAL CANN (Associate Producer) | DALE COBURN (Set Builder) | DARREN EMERY (Student Intern / Rehearsal Assistant) | LIAM GOSSON (Costume Assistant) | VICTORIA SALTER (Production Photographer) | JONATHAN HARRIS (Producing Artistic Director) | BETSY JOHNSON (Front-of-House Manager) | EVELYN JOST (Hospitality Coordinator) | LOGAN MILLER (Publicity Manager) | SARAH NIEMAN (Stage Manager) | MISHELLE STOTT (Events Coordinator) | RACHEL-DAWN WALLACE (Production Manager)

THE ENSEMBLE CAST

NICHOLAS AMOTT | ELIZABETH CHANT | GEORGE DUTCH | ROBIN GUY | JEFF LEFEBVRE | ELLEN MANCHEE | PAUL WASHER

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Godspell – Auditions

Godspell will be directed and presented very much in a style of ensemble theatre, meaning that the entire cast of 10-15 performers will be intricately and more or less equally involved in telling the story, moving and singing often together, and on stage for most of the show. Each member of the ensemble will have the opportunity to be featured dramatically, through choreography, and / or with a vocal solo at some point in the story, whether a full or partial song. Performing artists of any age, background, or identity are encouraged to apply for an audition.

Please read the attachment for details about auditions: Godspell – AUDITION NOTICE

The Screwtape Letters

Mary, Mary

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